![]() Daisy’s hair looks so silky that you’ll want to stroke it and tell her that she’s a good girl (yes she is). ![]() The animation style of Pets 2 is similar to that of the first film - the Manhattan skyline is rendered in softly bright and busy colors - but also more haphazard. Meanwhile, Kristen Page-Kirby of The Washington Post discussed the lack of originality and detail in the animation: It has no real reason to exist, other than to be a passable option for parents whose children are too young to handle PG-13 fare and feels like it. The film itself - while not without its amusing “my pet does that, too” moments - barely manages to knit three minimal plotlines into an 80-minute feature. In her review for New York Post, Sara Stewart questioned the very existence of the sequel: Your kids will be sufficiently entertained, but they also deserve a dog that’s willing to learn a few new tricks. It’s more of the same as the original Pets, and yet less. But none of the plotlines builds much momentum individually, much less together, and then they all just sort of collide at the end when everyone’s back home in the big city. This thing happens, and then this thing, and then this thing. ![]() Renaud and del Val jarringly jump around between these three stories in a way that only emphasizes their episodic nature. Writing for, Christy Lemire noted the lack of cohesiveness in the screenplay because of the segmented approach: Here are some takes on the film from critics at major publications: Few critics delved into the characteristics of the animation, as by design, it’s similar to the original. One of recurrent complaints is the way the story is divided into three episodes focused on different characters, which lack coherence or a strong throughline. head office in Santa Monica, California.Įven though most of the elements that made the 2016 film a top-grossing project are contained within this film, reviewers mostly feel the sequel falls short. ![]() The production was made at Illumination Mac Guff in Paris, France, with some pre-production work done at Illumination’s U.S. ![]()
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